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New York: Vincent FitzGerald & Co., 1993. Portfolio of etchings, one of 25 copies, each signed and numbered by the artist Judith Turner on the reverse, all on BFK Rives paper and paper from Paul Wong, Dieu Donne Papermill. Page size: 30 inches by 15 inches; 6 leaves. Bound: loose..... More
[New York: Vincent FitzGerald & Co., 2009. Portfolio of ten chromogenic prints on metallic paper, one of 20 copies only, each print numbered and initialed in pencil on the reverse by the photographer, Judith Turner, who has also signed her name on the colophon in pencil. Page size: 4-15/16 x...... More
New York: Vincent FitzGerald & Co., 1997. One of 50 copies, all on Fabriano Artistico paper, each signed by the artist on the colophon. Page size: 4-7/8 inches x 4-7/8 inches; 31 individual leaves (cards) including "Joker" and 2 "Wild Cards," titlepage, and colophon. Bound: housed in red cloth clamshell..... More
New York: Vincent FitzGerald & Co., 1997. One of 20 copies, all on Antique JB Green and Japanese Gampi paper, signed and numbered by the artist in pencil on each of the 5 etchings. The names of the subject of each portrait is etched in the plate itself. The authors..... More
New York: Vincent FitzGerald & Co., 2002. One of 20 copies, all on special paper handmade by Paul Wong at Dieu Donne Papermill, each signed and numbered on the colophon by Susan Weil. The artist has titled, signed, numbered, and dated each print as well at the bottom in pencil..... More
New York: Vincent FitzGerald & Co., [ND but 2001]. Portfolio of five etchings by Susan Weil, signed by Weil on the colophon in pencil and initialed by her with the print number in pencil on each print. Printed on Japanese Gampi paper, chine colle, on Hahnemuhle Copper paper by Peter..... More
New York: Vincent FitzGerald & Company, 2006. One of 10 copies only, on J.B. Green paper, each signed and numbered in pencil on the colophon by the artist, Susan Weil. Page size: irregular but about 7 inches x 9 inches; 7 individual collages each hand water colored, cut out, and..... More
Paris: Librairie de France, 1922. Centenary edition, with frontispiece and numerous illustrations in the text after Andre Dunoyer de Segonzac. 4to; handsomely rebound in 3/4 brown morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in, original backstrip chipped, else fine. More
Paris: Editions Mornay, 1931. Hand painted vellum binding by Laborde on one of 300 on velin from a total issue of 355. In addition, this copy has an original watercolor by Laborde on the colophon page, although this is not called for in the colophon. The watercolor is of the..... More
La Haye: Adrian Moetjens, 1682. Second printing of each,after the Paris publication in the same year, text in French. 12mo; [4] 175 [1] and [4] 256 [4]. Bound by DAVID: full dark green crushed morocco with triple gilt fillets on front and back panels, spine with five raised bands, each..... More
Berkeley, CA: Flying Fish Press, 2015. Artist's book, one of 50 copies, on various papers, book board, each copy signed by the artist / publisher, Julie Chen, on the colophon. Page size: 7.75 x 9.75 x 2.5 inches; 22pp. Bound by the artist: brown cloth over boards with title in..... More
Berkeley, CA: Flying Fish Press, 2018. Artist's book, one of 50 copies, all on grey/green paper, signed on the colophon by the artist / publisher, Julie Chen. Page size: 6 x 6 x 1 inches opening to 174 inches; 56pp; including colophon. Letterpress printed from wood type and photopolymer plates..... More
Berkeley, CA: Flying Fish Press, 2019. Artist's book, one of 50 copies, all on various handmade papers, each copy signed and numbered by the artist / author / designer / publisher, Julie Chen. Page size: outside box 9 x 16 x 4.5 inches; opening to full width of 42 inches..... More
Berkeley, CA: Flying Fish Press, 2017. Artist's book, one of 50 copies, all on a variety of papers including paper made at Papeterie Saint-Armand, each copy hand-numbered. The book is written and illustrated by Lois Morrison, in the form of a Mexican triptych. The three-fold box opens to diorama illustrating..... More
[Boston: P.G. Fowler, ND: but ca. 1848]. Dress Pattern in form of broadside. 23" x 16 1/2"; white heavy stock paper with black lined diagrams for patterns, keyed to a 16 lettered scale (A-P) and numbers on white paper; bit frayed at a few edges, matted and framed, very good..... More
NP: ND. Five pages hand-written manuscript, each leaf measuring 9" x 7", of a discourse given before the Society of the History of the Revolution. This is a cut-and-paste effort by France, with emendations, cross-outs, etc., showing how carefully he worked and reworked his speech. Each leaf mounted on tabs..... More
Paris: Librairie des Amateurs, A. Ferroud - F. Ferroud, successeur, 1923. First Edition, limited, numbered and paraphed by the publisher, one of 1200 on velin teinte d'Arches from a total edition of 1520. Page size: 4-3/4 x 7 inches; 57pp. Bound: handsomely rebound in 3/4 navy blue morocco and blue..... More
Paris: Librairie Ancienne Edouard Champion, 1915. Rebound in 1/4 claret morocco and marbled paper boards, spine with gilt lettering, marbled endpapers. Ex-libris Roberto Repetto. Morocco scuffed and worn and with a few small gouges on the back; occasional foxing within, especially of the prelims; final two leaves disbound. With a...... More
Paris: Garnier Freres Bourdilliat et Cie. [1848] and 1860. New Edition of the first three volumes with the first edition of the 4th volume all four volumes bound in 2. Lg. 8vo; handsomely bound in contemporary 1/2 red morocco and marbled boards, spine paneled, gilt decorated, title gilt, some rubbing to..... More
Paris: Calmann-Levy, [1956]. First trade edition, handsomely bound in 3/4 dark green morocco and marbled paste-paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original powder blue wrappers and backstrip, printed in black and purple, bound in, near fine. llustrated with nine full-page color reproductions of original lithographs by Pierre..... More
New York and London: Harper & Brothers Publishers, 1914. First Edition in pictorial dust jacket. 8vo; 352pp; red cloth, stamped in gilt with title and author on front panel, author, title, and publisher on spine, in pictorial dust jacket showing frontispiece illustration, author in red and title printed in black..... More
[Paris: Rene Kieffer, a l'Institut Administratif. 1945]. One of 800 on velin de cuve from a total edition of 900. Handsomely bound by the Studio of Rene KIEFFER: full brown morocco simulating snakeskin, upper and lower covers decorated with gilt oval plaque with birdseye perspective of ring of dancing figures..... More
Boston and London: Crosby, Nichols, and Company.. Sampson Low, Son, & Co., 1856. First and only edition, first printing. 12mo, 468pp, including a page of ads for other books by Fuller; dark grey-green cloth, triple-ruled border, tips worn, spine sunned and stained, lacking both flyleaves, traces of label removed from..... More
Paris: J. Hetzel, 1845-1846. First Edition. Page size: 10-1/2“ x 7“. (I) lxxx, 363pp; (II) xxxii, 380pp; in two text volumes; numerous vignettes + 212 illustrations in two plate volumes; contemporary quarter deep blue-green morocco over marbled boards, title and volume in gilt on the spine, marbled endpapers. Minor rubbing..... More
