New York: Vincent FitzGerald & Company, 1999. Artist's book, signed, limited edition, one of 50 copies all on hand-made paper by Paul Wong at Dieu Donne Papermill, hand-numbered and signed in pencil by the translator, Zahra Partovi and initialed by the artist, Aleksandar Duravcevic. Page size: 9-5/8 inches x 6-1/2... More about Gazelle in the Donkey Stable
New York: Vincent FitzGerald, 1987. One of 75 copies only, each signed by the artist, Agnes Murray and the translator, Zahra Partovi, illustrated with three colored lithographs, each containing 12 plates. Bound by Zahra Partovi: accordion style, turquoise Japanese paper over boards with a label on front panel on buff... More about Letters. Translated by Zahra Partovi. Illustrated with Lithographs by Agnes Murray
New York: Vincent FitzGerald & Company, 2000. Artist's book, signed, limited edition, one of 50 copies, all on Apta Verge Royal paper by Richard de Bas, hand-numbered and signed in pencil by the artist, T. Kurahara and the translator, Zahra Partovi. Page size: 9-1/2 inches x 6-1/2 inches; 27pp; +... More about Lover Beloved (From the Masnavi) Translated by Zahra Partovi with Etchings by T. Kurahara
New York: Vincent FitzGerald & Company, 1987. Artist's book, one of 100 copies only, each signed by the artist, Mark Beard, and the translator, Zahra Partovi, all on Moulin de Gue paper. Containing 10 dry-point soft-ground aquatints, the 10 plates connect to form a 10-foot long accordion text / image... More about Moses and the Shepherd. Translated by Zahra Partovi. Illustrated by Mark Beard
New York: Vincent FitzGerald & Company, 1989. One of 50 copies only on handmade J.B. Green paper, each copy signed by the artist and translator. Illustrated by Susan Weil with 18 original hand-colored line etchings, mirrored on verso in colored mezzotints by Shigemitsu Tsukaguchi. The text was hand printed by... More about The Reed. Translated by Zahra Partovi. Etchings by Susan Weil
New York: Vincent FitzGerald and Company, 1981. First edition, first book of the press, and the first of the extraordinary run of translations of the work of the 13th century Persian poet, Jalaluddin Mohammad Rumi, one of 200 copies all on Rives, all hand-numbered in pencil, 50 of which are... More about The Story of the Parrot and the Merchant. Interpreted by Zahra Partovi With Drawings by Don Kunz
New York: Vincent FitzGerald & Company, 1983. One of 50 copies only on BFK Rives, signed by Beard on the colophon. Page size: 7 1/2 x 10 1/2 inches. Bound: loose in original wrappers, as issued, in publisher's clamshell box of green cloth and silver kid spine designed as a.... More about The Death of Venus. Lithographs by Mark Beard. Edited with an introduction by Michael Finegold
New York: Vincent FitzGerald and Company, 1985. First Edition, limited, one of 120 copies only printed on handmade "Crisbrook" paper by J.P. Green, each copy numbered and signed by both artists, Virgil Thomson and Maurice Grosser. Lithographs pulled at the Printmaking Workshop by Jennifer Lynch, Agnes Murray and Holly Sears... More about Eighteen Portraits. Original lithographs by Maurice Grosser
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New York: Vincent FitzGerald & Co., 1993. Portfolio of etchings, one of 25 copies, each signed and numbered by the artist Judith Turner on the reverse, all on BFK Rives paper and paper from Paul Wong, Dieu Donne Papermill. Page size: 30 inches by 15 inches; 6 leaves. Bound: loose... More about The Parthenon Pediments
[New York: Vincent FitzGerald & Co., 2009. Portfolio of ten chromogenic prints on metallic paper, one of 20 copies only, each print numbered and initialed in pencil on the reverse by the photographer, Judith Turner, who has also signed her name on the colophon in pencil. Page size: 4-15/16 x.... More about Transitions. Chromogenic Prints by Judith Turner
New York: Vincent FitzGerald & Co., 1997. One of 50 copies, all on Fabriano Artistico paper, each signed by the artist on the colophon. Page size: 4-7/8 inches x 4-7/8 inches; 31 individual leaves (cards) including "Joker" and 2 "Wild Cards," titlepage, and colophon. Bound: housed in red cloth clamshell... More about Blind Man's Bluff
New York: Vincent FitzGerald & Co., 1997. One of 20 copies, all on Antique JB Green and Japanese Gampi paper, signed and numbered by the artist in pencil on each of the 5 etchings. The names of the subject of each portrait is etched in the plate itself. The authors... More about Five Authors and a Painter
New York: Vincent FitzGerald & Co., 2002. One of 20 copies, all on special paper handmade by Paul Wong at Dieu Donne Papermill, each signed and numbered on the colophon by Susan Weil. The artist has titled, signed, numbered, and dated each print as well at the bottom in pencil... More about Reflections. Photo Alternatives by Susan Weil
New York: Vincent FitzGerald & Co., [ND but 2001]. Portfolio of five etchings by Susan Weil, signed by Weil on the colophon in pencil and initialed by her with the print number in pencil on each print. Printed on Japanese Gampi paper, chine colle, on Hahnemuhle Copper paper by Peter... More about Rembrandt's Self
New York: Vincent FitzGerald & Company, 2006. One of 10 copies only, on J.B. Green paper, each signed and numbered in pencil on the colophon by the artist, Susan Weil. Page size: irregular but about 7 inches x 9 inches; 7 individual collages each hand water colored, cut out, and... More about Seven Secrets
Paris: Librairie de France, 1922. Centenary edition, with frontispiece and numerous illustrations in the text after Andre Dunoyer de Segonzac. 4to; handsomely rebound in 3/4 brown morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in, original backstrip chipped, else fine. More about L'Education sentimentale. Illustrated by Dunoyer de Segonzac
Paris: Editions Mornay, 1931. Hand painted vellum binding by Laborde on one of 300 on velin from a total issue of 355. In addition, this copy has an original watercolor by Laborde on the colophon page, although this is not called for in the colophon. The watercolor is of the... More about Histoire de la Bienheureuse Raton. Fille de Joie. Illustrations de Charles Laborde
La Haye: Adrian Moetjens, 1682. Second printing of each,after the Paris publication in the same year, text in French. 12mo; [4] 175 [1] and [4] 256 [4]. Bound by DAVID: full dark green crushed morocco with triple gilt fillets on front and back panels, spine with five raised bands, each... More about Les Moeurs des Israelites ou l'on voit le modele d'une politique simple & sincere... Bound...
Berkeley, CA: Flying Fish Press, 2005. First Edition, limited to 100 copies, each signed and numbered by the author / artist, Julie Chen. The book is printed letterpress using a combination of pressure plates, woodblocks, and photopolymer plates. It was assembled and bound at Flying Fish Press with assistance from... More about True to Life
Berkeley, CA: Flying Fish Press, 2016. Artist's book, one of 50 copies, on a variety of papers, including Old Masters from Papeterie Saint-Armand, Zanders Elephant Hide, and Hahnemuhle Ingres, hand-numbered and signed by the artist / author, Julie Chen on the colophon. Page size: 3.5 x 14-3/4 x 1-7/8 inches... More about Bitter Chocolate
Berkeley, CA: Flying Fish Press, 2015. Artist's book, one of 50 copies, on various papers, book board, each copy signed by the artist / publisher, Julie Chen, on the colophon. Page size: 7.75 x 9.75 x 2.5 inches; 22pp. Bound by the artist: brown cloth over boards with title in... More about Composite Impressions
Berkeley, CA: Flying Fish Press, 2018. Artist's book, one of 50 copies, all on grey/green paper, signed on the colophon by the artist / publisher, Julie Chen. Page size: 6 x 6 x 1 inches opening to 174 inches; 56pp; including colophon. Letterpress printed from wood type and photopolymer plates... More about Half Century
Berkeley, CA: Flying Fish Press, 2007. One of 100 copies, each signed and numbered on the inside of the box by the author, artist, and designer, Julie Chen. Box: 13-3/4 x 6-1/4 x 4-3/4 inches, wrapped in dull gold and oyster white Japanese book cloths with title printed in black... More about View
Berkeley, CA: Flying Fish Press, 2019. Artist's book, one of 50 copies, all on various handmade papers, each copy signed and numbered by the artist / author / designer / publisher, Julie Chen. Page size: outside box 9 x 16 x 4.5 inches; opening to full width of 42 inches... More about Wayfinding
Berkeley, CA: Flying Fish Press, 2017. Artist's book, one of 50 copies, all on a variety of papers including paper made at Papeterie Saint-Armand, each copy hand-numbered. The book is written and illustrated by Lois Morrison, in the form of a Mexican triptych. The three-fold box opens to diorama illustrating... More about Recuerdo for Ste. Ostrich
